I feel like streaming has led to things being more fragmented, both because you need to be subscribed to the one service that carries the show and because there’s so many more shows being made.

I’m not who you were originally replying to, but I think two seemingly contradictory things can be true at once.

Yes, there is definitely more content nowadays, and less people watching the same things at the same time because of all of the variety of services and content and platforms, etc.

But that content tends to still be homogenous. The settings and costumes of the shows might be different, but most content cannot pass, for instance, the bechdel test.

For all of the emphasis on “eradicating woke” in the last few years, there really isn’t a whole lot of actual diversity in most media. I could probably only name a single show that expresses, for instance, communist ideas, and I think it was cancelled in recent years alongside scores of lgbtq characters in shows.

Plotlines are typical, production values are stepped up but there’s a large amount of, for instance, ideological consistency among all media produced nowadays.

If you’re looking for a variety of typical genre shows, yes, you’re spoiled for choice. But when you’re looking for something that breaks the mold even slightly there are really only a handful of things from which to choose.

And that’s leaving out how much derivative media exists. Vince Gilligan in recent interviews even lamented how he was one of only a few people that could get a new show with a new concept even started in the industry. Many shows are set in “universes” that are decades old. A lot of “new” movies are reboots or sequels of old movies.

There’s a thread of choiceless variety that used to apply mainly to things like groceries that has now infected much of media as well. Whole political movements now push to eradicate the little diversity (ideological and character identity based) that exists.

All of this leaves out what happened to music btw, which is becoming so algorithm-driven that it’s hard for those using streaming services to even tell if it was produced by a person.

I’ll just leave this here as well:

https://www.nplusonemag.com/issue-44/the-intellectual-situation/why-is-everything-so-ugly/

Edit: I realized after a while that the easiest way to summarize the homogeneity you see in modern media is that it is supply-side oriented. Shows, movies, and music are made (or not) primarily based upon how easily the corporate marketing apparatuses think they can shove it down the public’s throat.

Bought a lifetime Plex pass a few years ago so this doesn’t affect me. It’s honestly worth the cost especially over time.

Dude containers are often easier than running the underlying programs.

Why the fuck would anyone use a guid as a hostname?

My favorite I’ve seen in the category was when they had hostnames that were basically the IP address decorated with some bullshit. Like yeeeeeeeeah, that totally makes fucking sense. 😆

I get no longer supporting products, but bricking them?

I think what’s happening in the background here is these “Internet of Trash” devices hook to cloud infrastructure for which the business no longer wants to pay.

If they were interested in actually building something useful, they would open up their API layers and add a way to link them to different services. But since they don’t give a fuck about you as a customer, they plan poorly as a business, and they have no ability to produce well-engineered software, instead they code everything so that it is hopelessly coupled (probably through hard-coded things up to and including certificates) with specific garbage they made, make it impossible to move to anything else, and then brick your shit.