Help support. Please make Affinity possible on Linux!
It’s owned by Canva, so I’d be willing to bet their next release will we some kind of web version - in that case there would be no need to port it.
And it’ll be subscription based.
Doesn’t matter cause I bought the lifetime license. Sure, maybe it won’t get updated any more, but the current state is pretty much sufficient.
I’m almost sure it works with wine
It requires a custom version of wine
Why?
Because for it to run it needs a patched version of wine with dxcore support(or smth like this)
Yea yea. I’d love it, but it would still be a proprietary product you’d be tied into as a customer. I’d rather support Graphite when I can https://graphite.rs/ as well as Krita and Inkscape.
I don’t mind paying for good software on Linux. I don’t understand this idea that everything Linux should be free.
That’s not what people demand, it’s a side effect of users demanding software be open source and developers saying that’s not economically viable.
It’s not that paying for things is bad. The problem is that good software is vital to digital artists’ income, and both purchasing and learning that software is a substantial investment. When a company sells or otherwise enshittifies their software, the artist is then put in a very hard place. Open-source software is the only way to combat that unfortunately likely scenario. By all means, please pay for that software if you can afford to. Doing so subsidizes usage for less fortunate people who may be able to better their situation as a direct result of your generosity.
I have paid (by donating to them) for many of the open source software I use, so I don’t think that everything should be free (as beer) but should be free (as freedom) and therefore open source.
I don’t mind paying for software either. I own Affinity & Zbrush licenses. However I run the risk that in the future, these products may be sold to the highest bidder and development stalls (as it happened a couple years ago in the case of Zbrush) or interoperability suffers. When this happens, not only is your database of scenes and files obsolete, you also have to go through the process of learning a different program, and DCCs are… huge. Whole factories. It’s very hard to reinvest the time necessary to learn them inside out and be proficient again. It is also impossible to contribute to a non-open codebase. Proprietary programs are ticking bombs.
Oh wow, hadn’t heard of graphite/graphene yet, and it looks so interesting! I rarely explicitly thank a comment that gave me a lot personally, but this time I think I have to. The graphene framework and the concept of artwork as compiled programs is pretty intriguing read! Thanks a bunch!
Nice. Hopefully that matures a bit more but yes the technologies are exciting
honestly inkscape is great :D I switched from illustrator after my adobe creative cloud subscription expired, and it’s been an easy transition!
Agreed it’s very capable today
If you don’t start using and contributing to free tooling now, they’ll never get better and they’ll never be “professional” (whatever that actually means).
You can continue to lock yourself into proprietary tooling, but that result will always be the same: a decent product gets bought, made subscription, get worse in quality while bleeding the customer out via subscription. You are already there will Adobe, and its started for Affinity.
So, the longer you hold out on FOSS tooling, the worse and slower things will be.
Look at how excellent FOSS tools are when they get attention and investment: blender and krita.
Oh I would love this. I’m a Mac and Linux user and use this on Mac already. Not having to switch computers would be nice. But in general I wish more companies support Linux.
I work in CGI and I use Photoshop for about 4 hours a day preparing images for clients, of whom use Photoshop and affinity (cheaper and one off payment). in the office, we are at our whits end with windows bugs and its just general annoyances.
we use Linux for rendering, so we’ve seen the light. but we are forced into using windows for the creative suites. I would love it if affinity were to offer native Linux support, the entire office would love the switch. however I’m very doubtful it will happen.
You can already use gimp and inkscape.
i dont think gimp is useable. gimme ANYTHING but gimp. photopea,krita, whatever…but to hell with gimp.
Also darktable, rawtherapee, DigiKam and Krita. Not sure if those are suited to professional work, but for amateurs they are more than enough.
The problem is that if widespread desktop Linux adoption is the goal, then the tools for amateurs aren’t going to cut it. Not even close. Tools that professionals use need to be available and they need to work like they do on macOS and Windows, it’s pretty much that simple. I think Darktable is fine for me tinkering around with my amateur photos. If I were a professional using it daily I’d probably hate it.
As much as we wish it wasn’t true, most people don’t really give a shit about their OS. It’s the logo that appears when they boot up their computers to work. What they do care about is having their tools available to them, if they can’t use the Adobe Suite, Pro Tools etc (and no, WINE is not a practical solution for most of these people) then Linux of any flavour is functionally useless to them. It’s for this reason that smug people saying “just switch to linux lol” as if it’s an actual solution whenever a Windows user complains about some rabidly anti-consumer bullshit that Microsoft is forcing onto them annoys the hell out of me.
It’s changing somewhat now, but it’s why you’ll find that a lot of people in the creative industries traditionally stick with macOS, because for a long time the options for those professionals were just better on that platform and people tend to stick with what they know.
On the other side of that coin, you have software vendors looking at the single-digit market share that Linux on the desktop “enjoys” and coming to the fairly reasonable conclusion that building packages, fixing bugs and providing support for myriad different distros just isn’t worth the headaches it will inevitably cause for them.
Classic chicken and egg problem.
Nah, they work great. The problem is just your generation.
If you learned the other tools first, you would say that adobe suite is clunky, difficult to use, and not suitable for professionals.
Gimp and inkscape both run fine on macOS and Windows.
I’m not really sure what assumptions you can reasonably make about me or my generation given that you have no idea who I am or how old I am, but I’ve been working with FOSS in my personal life for about 20 years give or take, a bit less than that in my professional life. I actually used to work in the music industry professionally before changing careers to tech with a FOSS slant later on, so I’ve seen both sides of this coin.
I’m genuinely not trying to shit on FOSS tools or say that they’re not suitable for creative professionals (my gripes with Darktable are very much personal to me), I love FOSS and the philosophy strongly aligns with my personal values but it’s not just about how “good” these tools are on an objective level. This is a cultural problem as much as it is an engineering problem, as you seem to have correctly identified.
You have to understand how ubiquitous something like Pro Tools suite is in the music industry and for how long that has been the case - the Pro Tools session format truly is a global industry standard by anyone’s measure. You can walk into just about any professional recording studio on the planet with your session files and the recording engineer will know exactly what to do with them, and so will mastering engineers and record producers. If you go to school for audio engineering, they’re teaching you Pro Tools. There are entire companies that produce outboard gear and control surfaces just for use with Pro Tools. You get the idea. The reason for that ubiquity is that Pro Tools, like many other creative software solutions, captured the market in the 90s when every other solution was an utter joke in comparison and they built on it from there. Sure, there’s fantastic alternatives now, but when you know Pro Tools like the back of your hand and so do all of your colleagues and collaborators, when all of your hardware and software works with it seamlessly… how likely are you to change?
I’m not suggesting that this isn’t a problem by the way - vendor lock-in is a serious bugbear of mine - but it’s a very real barrier to getting creative professionals to switch to FOSS alternatives, and in turn to getting software vendors to take FOSS platforms seriously. It’s a reality that cannot be hand-waved away by saying that x or y tool works great and that people just need to learn it and switch so that they can use Linux. If you can’t run Pro Tools on Linux, that’s a whole industry that won’t use it. It’s that simple.
Nah, the only reason those tools are used are because of momentum and the fact that most of their new hires have experience with it, also due to momentum.
Ban Photoshop from being taught in schools, and in two generations everyone will say that Photoshop is crap because it takes so long to do anything.
This is definitely the take of someone who doesn’t need the full capabilities of such tools to make a living.
This is definitely the take of someone who learned Photoshop before learning Gimp and doesn’t understand its full capabilities.
I kind of feel like you just ignored everything I wrote.
You are on to something. I have seen many videos about gimp & krita vs Photoshop. All the vidoes just compared them by treating Photoshop as the gold standard and ANY difference was points off. Even jiat changing what the hot keys did.
Why, well thet often compair drawing times and changing from ctrl+t to ctrl+w slows them down.
Inkscape sure, but gimp is no comparison for photo. Also Publisher is really good
GIMP is honestly fantastic. My workflow goes draw in GIMP, import to Inkscape to convert pieces to vector, then bring them into Godot where shaders get applied. I would rather draw in GIMP than any other program. I find drawing in Inkscape super awkward in comparison. GIMP is pretty no-frills, but it does the job. I prefer it over Photoshop. With Darktsble I’ve found it useful for importing high res raw images for textures too.
I don’t know why people hate on it so much. It’s all about using the tools you’re comfortable with.
I’ve just tired installing the trial of Affinity on Linux by using a script for Lutris, and I’ve failed.
The day when Serif releases an Affinity suite for Linux I’m going to buy it asap.
In the meantime, I’ll stick to Gimp and Inkscape…
I’m a professional graphic designer and I will never EVER support any initiative trying to get privative support into Linux and this kind of shitty mindset from colleagues actually irks me. I will support any initiative trying to improve what we already have. You don’t even need to be a developer nor donate money to help - bug reports and translations are also a thing. That’s how we got to get high quality software like Krita, Inkscape or Blender.
Can I ask your perspective on the comments here saying that Krita and Inkscape just aren’t comparable to their commercial alternatives?
The reason is… I’m not a professional graphic designer, I have a small consultancy with several staff and work with documents and spreadsheets all day.
Occasionally I encounter similar threads discussing the difference between LibreOffice and Microsoft Office, and the comments are all the same. So many people saying LibreOffice just “isn’t there yet”, or that it might be ok for casual use but not for power users.
But as someone who uses LibreOffice extensively with a broad feature set I’ve just never encountered something we couldn’t do. Sure we might work around some rough edges occasionally, but the feature set is clearly comparable.
My strongly held suspicion is that it’s a form of the dunning-kruger effect. People have a lot of experience using software-A so much so that they tend to overlook just how much skill and knowledge they have accumulated with that specific software. Then when they try software-B they misconstrue their lack of knowledge with that specific software as complexity.
I’ve written a few articles in LibreOffice and the things I need to be able to do just can’t be done in order to follow the structure of the zine I was writing for. It’s a hobby zine and the work is free by everyone so they just reformatted it for me; but it still inconveniences others when things aren’t within a certain expected standard. I do blame microsoft for it though; all office apps uses the same standard except microsoft, unfortunately all the users uses microsoft office…
and no, krita, inkscape, gimp, etc. can’t replace Affinity. Affinity itself could barely replace Adobe in their first place. but it still has, for many. so it’s not a learning issue. Affinity is more intuitive than Adobe, so in this case Adobe is just outdated.
but as for the open source, the issue is more than just a lack of features. The UI is at least 15 years out of date.
Professionally the software just isn’t there; and it’s a real shame too, because I feel very uncomfortable using ANY microsoft products (on principle). But as far as Photoshop goes, there is photopea which is a great free browser based clone. Sadly there is no illustrator or indesign browser based clones that can match the quality of photopea, and the only desktop apps up for the job of matching Adobe is currently the Affinity Suite.
It sounds like you’re talking the ability of ms office products to open documents authored by libreoffice.
Also what a lot of people don’t see ist, that as a company if you are looking for employees, there are a lot of potential workers with adobe experience, much less with affinity (although growing). Not sure how kany you find with professional FOSS tool experience.
So you do have major onboarding costs for each new employee who has to relearn their workflows
Yeah it took me like a year to finally start editing photos on my Linux machine. I was so used to lightroom that I kept bouncing between digikam, darktable, and rawtherapee. I wanted something that just did everything that lightroom did in a way that made senses to what I had learned until I finally just sat through a few youtube videos and decided to use digikam for managing my library and darktable for all my editing. Then seeing posts here on lemmy on people’s workshops helped me a lot
Can I ask your perspective on the comments here saying that Krita and Inkscape just aren’t comparable to their commercial alternatives?
I am a professional and have been doing this since… Well, I started with Mac OS 7, let’s put it that way. Krita and Inkscape are like using craft scissors to cut sheetmetal. They’re simply the wrong tool for the job. They are maybe 10% comparable to Adobe apps. Affinity apps are probably 60% or 70% comparable. Anybody who says Inkscape is a replacement for Illustrator simply does not use it in any serious professional capacity. It doesn’t even have any means of adding paragraph spacing!
I have no way to evaluate whether these claims are true. Pretty much verbatim what people say about libreoffice.
Again, you’re operating off your own limited experience. Ask someone who does Excel programming (yes it’s a thing) if LibreOffice compares. It does not.
Guy, everyone operates off their own limited experience.
LibreOffice has user defined functions that work just fine. You’re just illustrating my point really.
I fully support this comment. Have been a Graphic Designer since Quark Express truly was the better option to Indesign.
Anybody who says Inkscape is a replacement for Illustrator simply does not use it in any serious professional capacity. It doesn’t even have any means of adding paragraph spacing!
That’s sort of where I see the issue as well. What proprietary software does is takes the features of a bunch of different pieces of kit and puts them together into one package.
There isn’t one particular thing that Propietary software does the FOSS software can’t. The problem is that you need multiple different software solutions to do it.
So while Illustrator offers Paragraph Spacing (for example) Inkscape doesn’t, you get that in Scribus. But Scribus lacks the more advanced pathing vector tools, which Inkscape offers. Meanwhile neither of them have strong photo editing abilities, which GIMP brings to the table, but GIMP can’t really do painting well, which KRITA brings to the table…and so on and so on.
Every open source alternative does something as good as their proprietary alternaties. But not everything. You have to use a combination in order to match the capability of one adobe product, and that’s just not feasible in a professional environment.
Even that isn’t really true. GIMP for example is nowhere near feature parity with Photoshop, not even close. it only just got non-desctructive editing a few months ago, something that Photoshop has had for at least 20 years if not more! The disparity gets much, much worse when you look at filters or tools like content-aware fill.
GIMP for example is nowhere near feature parity with Photoshop
Yeah. That’s exactly my point…maybe I wasn’t clear.
The problem is that no one specific FOSS tool has feature parity. To get the same abilities as Photoshop, you have to use a workflow that is a combination of GIMP, Inkscape, Krita and Scribus instead of having it in the one package, which is why Adobe is the industry standard.
Have you tried collaborating to the project in some way or other? I think we in this capitalist world are frequently used of being given a solution, usually paid, sometimes for free (at least apparently). IMHO the change of paradigm has to do with first aligning with the ethics we wish for our world and humanity (I doubt anybody besides Adobe shareholders could cherish the idea of a world that using its products contributes to), and then putting all of our will and efforts in supporting the initiatives that make sense to our deep inner wishes for this world. How much are we willing to open ourselves to something like a different workflow if it makes sense with our ethics? The thing is that the paradigm perpetuates itself by us having being familiarized with it since we were kids. (Think Windows or Adobe in schools or Universities, although you could certainly bring this example to other spheres of human endeavours). Kids won’t break it… We need adults that, although have been indoctrinated with the old ways, have enough will power to open these new doors and create new realities for the children of the future.
I would if I knew anything about programming or UI design, but unfortunately I don’t.
Yeah, I used to think the same… I dont know much programming (at least not enough to collaborate), but I usually help translating, documenting or answering some forums… Maybe it’s not much but it helps a littlw
My strongly held suspicion is that it’s a form of the dunning-kruger effect. People have a lot of experience using software-A so much so that they tend to overlook just how much skill and knowledge they have accumulated with that specific software. Then when they try software-B they misconstrue their lack of knowledge with that specific software as complexity.
You just answered yourself. They’re just tools.
We have Affinity at home:
Affinity at home > Gimp
GIMP with the PhotoGIMP overhaul and Resynthasizer plugin (content aware fill) is pretty darn solid. Not perfect, but a massive upgrade from stock gimp.
Gave it a shot so many times just couldn’t get onboard with it…Even with the lastest release. The icons alone annoy me…
This is such a looooong shot, a more realistic plan would be to play the Powerball to win and use your winnings to fund open source programs into matching feature set.
Which is also wildly unlikely, but just a little more likely to happen.
is there anything more useless than signing online petitions?
Complaining about online petitions.
Got 'em#
I would, but I can’t get through their captcha (even w/ adblockers, tracking, etc all disabled)
I mean, signing a change.org petition has resulted in absolutely nothing, ever, so it’s not like your vote is exactly vital here
Why? Krita exists and it’s FOSS. I would sooner throw them a donation than pay a subscription or fee for something else.
Having Krita as basic image editing is doable. Howeverm, if you actually use them professionally, you’ll realize that Krita is definitely not alternative to those.
Krita is a first-class painting software, and even its current development is more closer to be Clip Studio Paint alternative, like having comic layer, webtoon layout, etc. The dev is closely have observation on Clip Studio Paint development.
Affinity Photo is actually easier to use than any alternative, including Photoshop and even GIMP. Its base system also much more faster than Photoshop, GIMP, and even Krita.
Krita is not the same software than these… You don’t use Krita to design a book, you don’t use Krita to manipulate RAW pictures…
Affinity is a one-time fee at around 80€ for a Photoshop, InDesign and Illustrator clone that sprang unto existence literally to combat Adobe subscriptions. Except since using Affinity exclusively for a year now, it feels better than Adobe ever did. Much more modern. Only missing a rare few of features that have work-arounds.
But, as OP says. Linux support is sorely missed. Because it’s much smaller than adobe there is a lack of community effort to get it to run on linux and if you manage to make it run, it craps out on you.
Since I work professionally with digital art and print, Krita, GIMP, etc. are sadly nowhere closer viable options (I have tried). Unfortunately I had to give up and install Windows last week solely to run Affinity properly, all other software that I use for work runs smoothly in linux, and like 95% of my preferred games (I too refuse to pay a subscription on principle).
FYI, Affinity was bought by Canva, this is probably an advertising. Affinity will probably enshitify in the next release. Hopefully not, but who knows.
i did not know that…
No problem. they are great currently.
I expect an affinity subscription plan.
When the acquisition happened they made a pledge to keep affinity as a separate product and to have perpetual licenses.
Technically they can always introduced a subscription in addition to perpetual licenses but the implication is that they wouldn’t do that.
For what it’s worth, they understand their user base and were vocal about their plans. Maybe they’ll disappoint, but they haven’t really given reason to doubt so far.
Yep, and then everyone will go start looking for another option again. I hope they don’t, but those CEOs got get their more millions paychecks so they can stand up straight at the country club, somehow.
